The Crop Frame Camera Advantage

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In recent years camera manufacturers seem to have greatly shifted their focus towards 'full frame' cameras. (A full frame camera is one where the image sensor is the same size as a piece of 35mm film, whereas a 'crop frame' camera has a smaller image sensor - typically 1.5 - 2x smaller.) The reason for this is not that full frame cameras are inherently better, but simply that they have a higher profit margin on the full frame models.

I've read a lot of comments from other photographers, and also a few articles that seem to treat full frame cameras as the holy grail of photography. But I think many people are being led astray by the full frame marketing brigade. Yes, a full frame camera is the best choice for some photographers. But for others a crop sensor camera may be a better choice.

So, in this article I want to redress the balance, and look at some reasons why a crop sensor camera can be a better choice than a full frame camera.

The Crop Frame Camera Advantage

Size and weight

One of the big advantages of cameras with smaller size sensors is that they can be made smaller. In turn, this also means that the cameras can be made lighter. This might not be an advantage if you have big hands, but for most people smaller and lighter is better.

It makes it much easier on your neck, shoulders, and arms to carry around a lighter camera all day. Similarly, it takes up less space in your bag than a full-frame camera would, freeing up space for other gear, such as an additional lens or some snacks. Or just allows you to use a smaller bag.

Lenses for crop-sensor cameras also tend to be quite a bit smaller and weigh less than their full-frame equivalents. A crop sensor camera by itself may not have a great reduction in size compared to a full frame sensor camera. But when you add similar lenses (in terms of giving the same field of view) to both, the crop sensor camera package will usually be considerably smaller and lighter.

More Depth of Field

A full frame camera when paired with a fast lens gives you a greater ability to obtain a very shallow depth of field than you can get with a crop frame camera. Of that there's no argument. But often we don't want as little in focus as possible, instead we want as much in focus as possible.

Landscape photography, architectural photography, and macro photography are all genres where a large depth of field is often preferred.

Crop frame cameras give an image where there is a greater depth of field (more of the image is in sharp focus) at the same aperture as a full frame camera will give. For an APS-C (1.5x) crop frame camera you get about 1 stop more depth field. For an m4/3 (2x) crop frame camera, you gain about 2 stops more depth of field than you'd get at the same aperture on a full frame camera.

So, for a landscape taken at 24mm f/16, ISO 100, 1/10s on a full frame camera, you'd get an equivalent image at 16mm, f/11, ISO 100, 1/20s on an APS-C sensor camera, or 12mm f/8, ISO 100, 1/40s on an m4/3 camera. On a crop-frame camera you can use a faster shutter speed (or a lower ISO) because you don't have to stop the lens down as much to get the same depth of field.

Photo taken on camera with APS-C crop sensor, 16mm f/11
Photo taken on camera with APS-C crop sensor, 16mm f/11

Photo taken on camera with full frame sensor, 24mm f/16 - Depth of field is the same
Photo taken on camera with full frame sensor, 24mm f/16 - Depth of field is the same

When shooting handheld this can be quite beneficial - a faster shutter speed means you're less likely to get blurry images from camera shake. Similarly, in low light you don't have to raise the ISO level as high for a given depth of field & shutter speed combination as you would when shooting with a full frame camera.

For tripod based shooting the faster shutter speed a crop-sensor camera affords can still be useful for capturing maximum detail. It helps freeze movement like leaves blowing in the wind, which could be blurred in a photo taken with a longer exposure time.

Now, in theory (and somewhat in practice) the extra depth of field advantage of crop-sensor cameras is negated by their worse noise performance. Using the landscape example again, an image shot on a full frame camera at 24mm f/16, ISO 400, 1/40s should be equivalent in all aspects to an image shot on an m4/3 camera at 12mm f/8, ISO 100, 1/40s.

However, the theoretical differences in noise performance between a crop sensor and a full frame sensor aren't always borne out in practice. It depends a lot on the technology used for the sensor. Particularly at low ISOs, there is usually less of a difference in noise performance between a crop sensor camera and a full frame camera than the theory would suggest. And so a crop sensor camera can offer a real (if not particularly big) advantage when shooting images that require a large depth of field.

Little difference in resolution

One of the arguments I often see as to why full frame cameras are better is that because the sensor is larger, it can fit in more pixels at any given density than a crop frame camera can. This is true, but the question is, how useful is that extra resolution?

At standard viewing sizes, which is how the vast majority of people view our images, any difference in resolution won't be visible. When viewing images at 100% on screen there will be a difference. But that's not a normal way to view images.

Landscape photo taken with a full frame camera
Landscape photo taken with a crop frame (APS-C) camera
One of these photos was taken with a full frame camera, the other with a crop frame (APS-C) camera. Can you tell which is which?

If you want to make large prints that people will view from up close, then maybe the extra resolution will be handy. But it's only a very select group of photographers who will be displaying their work like that.

Furthermore, it takes greater effort to make sure you actually make the most of the resolution offered. You'll want to be using expensive top-grade lenses. And you need to use the camera very carefully to minimize any chance of blur from camera shake, mirror slap, or shutter shock.

Finally, if you're shooting images that require a large depth of field, such as landscape or macro images, you'll likely be diffraction limited anyway. With apertures smaller than a certain size then detail starts to become softened due to diffraction. More resolution means you see the effects of the diffraction softening more (when viewing images at 100%).

For example, a 12MP APS-C (1.5x crop camera) is already diffraction limited at the pixel level at an aperture around f/11. A full frame camera with the same pixel size (and hence higher resolution) will be diffraction limited at the pixel level in the same way. But with the full frame camera, you must use a smaller aperture to achieve the same depth of field as you get with the crop sensor camera. And stopping the lens down more increases diffraction, thus robbing you of the camera's resolution advantage.

Crop of Macro image from 21MP full frame sensor camera
Crop of Macro image from 21MP full frame sensor camera

Crop of Macro image from 12MP APS-C crop sensor camera, resized up to 21MP
Crop of Macro image from 12MP APS-C crop sensor camera, resized up to 21MP

In practical terms you do tend to get a little more detail from a higher resolution camera even when shooting at diffraction limited apertures. But due to diffraction softening the real increased resolution is less than the increase in megapixels.

You also need to remember that higher resolution cameras produce larger files, and so require larger (and faster) memory cards and larger hard drives to store them on. You'll also need a faster computer to be able to edit the larger amounts of data the images contain. And all this costs more.

Noise is well controlled

Unless you're an extreme low light photographer, the majority of crop-frame cameras available today have more than good enough high ISO performance.

Milkyway photo taken at a high ISO of 6400 with a crop sensor camera. Although there is some noise, it is not very prominent.
The silver river in the night sky by matthewwu88 on Flickr (licensed CC-BY)

It's true that the larger the sensor size, the better the noise performance will be. A modern full frame camera will have better noise performance than a modern crop sensor camera. But do you really need the absolute best in high ISO noise performance?

A modern crop sensor camera will equal or beat a full frame camera from a few years ago in terms of noise, simply due to technological improvements. And today's crop sensor cameras are many times better in terms of their low light light performance than film.

Shallow DoF is easily achieved

Another argument often put forward against crop sensor cameras and in favor of full frame cameras is the ability to achieve a shallow depth of field. Again, the argument has some truth but seems to be exaggerated in its importance.

If you really need extremely shallow depth of field, then a full camera with a fast lens is your best choice. But it's not as if you can't achieve a shallow depth of field on a crop sensor camera.

Shallow DoF photo of maple leaves, photographed using a crop sensor camera
Hints of Fall by Daniel Axelson on Flickr (licensed CC-BY-SA)

Sure, for any given aperture, a full frame camera will give a shallower depth of field than a crop sensor camera. But the difference is pretty minimal. Whereas the difference in DoF control between a crop sensor camera and a phone camera is absolutely massive and easily noticeable.

You can definitely achieve a shallow depth of field, giving good subject separation, with a crop sensor camera and a suitably fast lens. Shallow depth of field seems to be over emphasized a lot. Most of the time you want most of your subject's face in focus, not just the eye closest the camera.

Lens filters

Because lenses designed for crop sensor cameras don't have to cover as large an area as those designed for full frame cameras, they tend to be smaller. This means they also use smaller filter threads on the front, allowing you to use smaller, and cheaper filters.

This is particularly advantageous for wide-angle lenses. Many full frame ultra-wide lenses don't even accept filters. You have to purchase expensive adapter kits to use filters on them. Whereas most ultra-wides for crop sensors do let you use filters, and the filters are much cheaper because they don't have to be so big.


Generally crop frame cameras and lenses tend to be considerably cheaper than their full frame equivalents. However, there is a caveat here.

If you want to put together a crop frame camera system that gives you a very shallow depth of field, then you may be better off going full frame. Ultra-fast lenses are very expensive. And because crop sensor cameras have more depth of field than full frame cameras, you require a faster lens for a crop sensor camera to give the same depth of field as a slower lens on a full frame camera.

For example, you'd need a 35mm f/1 lens for an APS-C camera to give the same field of view and depth of field as a 50mm f/1.4 lens on a full frame camera. That 35mm f/1 lens is likely to be extremely expensive (if it even exists for your camera). Whereas a 50mm f/1.4 isn't super expensive.

But for most general uses, a crop frame system will be quite a bit cheaper. For example, the Canon EF 16-35mm f/4L IS USM Lens for full frame cameras retails for around $1000 and needs expensive 77mm size filters. Whereas the crop frame equivalent Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens costs only around $280 and uses cheaper 67mm size filters. (Not to mention also being considerably lighter and smaller).

Now don't get me wrong, full frame cameras definitely do have advantages over crop frame cameras. But I think many over emphasize these advantages, while also overlooking the negatives of full frame compared to crop frame cameras. While full frame will be the best choice for some people, for others crop frame cameras will continue to be the best choice.

Written by Discover Digital Photography

April 10th, 2016 at 3:09 pm

2 Responses to “The Crop Frame Camera Advantage”

  1. Sean Patrick says:

    Very refreshing to read your ideas about crop sensor vs full frame cameras.

    I first bought a crop sensor camera a few years ago, and i loved it. Then I fell into the trap of reading too many generic opinions about how full frame is where it’s at, and you must have one to be professional.
    I love both cameras that I have and use them both. But I find that for most of the work I do a crop sensor does the job perfectly.
    25MP on a Canon Rebel is a lot of resolution. Often, when people ask about which camera I used for a shot and I tell them that it was a crop sensor camera, they are a little confused, and don’t believe me. The quality of the shot is top quality, especially, as you mention, when I use a very good lens on the crop sensor camera.
    Good article, thanks.

  2. Enjoyed your article though I love to discover points that may remain muted. I use a mix of FX, DX and Micro Four Thirds, along with lens adapters, including a Speed Booster that may as well double my available focal lengths, Micro being the most versatile. Sure, each format has its own niche effect in the image character and that’s why I explore all three formats. What I find is that camera specs are almost immaterial. I can’t point out the best choice. It’s not even worth looking for quality advantages, especially when shooting RAW images. The most effective tool is creative skill, especially with explorative imaging where pots of gold may lay beneath the dirt.

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